Italian electronic music producer and DJ Mattiush Cavandoli is set to return to radio airplay with the release of his new single Jump, which will be available to Italian radio stations from 7 January 2026. The release marks a significant moment in Cavandoli’s career, combining a retro dance influence with a forward-looking production strategy aimed at both domestic and international markets.
Jump draws clear inspiration from the dance sounds that dominated clubs in the 1990s and early 2000s, a period often regarded as a formative era for European electronic music. Rather than relying on nostalgia alone, the track reinterprets these influences through a contemporary and fully digital production approach. The result is an energetic and rhythm-driven song designed to meet the expectations of today’s listeners while maintaining a strong melodic core.
Central to the project is the collaboration with vocalist Rossella, whose contribution plays a defining role in shaping the track’s identity. Her voice, described as warm and powerful, adds emotional depth to the high-energy production. The partnership began informally, but its impact was immediate. An initial a cappella performance proved sufficient to convince Cavandoli that the collaboration was the right creative direction for the project. From that point, the vocal element became integral rather than complementary to the track’s structure.
Musically, Jump is characterised by carefully constructed arrangements that balance driving dance rhythms with vocal refinement. The production aims to capture attention from the opening bars, reflecting an understanding of the competitive dynamics of radio and streaming platforms. In an increasingly crowded market, immediacy and clarity have become essential commercial considerations, particularly for dance-oriented releases targeting both clubs and broadcast playlists.
Cavandoli’s professional background is closely tied to the European club scene. He has performed in some of the continent’s most prominent dance venues, developing his artistic identity in live settings where audience response directly informs creative decisions. Originating from Reggio Emilia, he emerged from a local environment that once held a central position in Italy’s nightlife and club culture. During its peak years, the city was regarded as a key hub for electronic music, contributing to the producer’s formative experiences and shaping his understanding of dance music as both cultural expression and lifestyle.
In recent years, Cavandoli has increasingly positioned his work beyond national borders. His Italian-based project now receives national and international broadcast exposure, with a particular focus on foreign markets. This outward-looking strategy reflects broader trends within the electronic music sector, where genre fusion and cross-border distribution have become central to growth. For producers, success is no longer defined solely by local club recognition but by adaptability to diverse audiences and platforms.
The commercial potential of Jump has already attracted significant industry attention. The track was submitted to Universal Music, and on the same day Cavandoli was contacted by the label with a proposed five-year contract. The offer includes the release of the single and outlines the possibility of a future album, contingent on the project’s performance. Such rapid engagement from a major label highlights the competitive nature of talent acquisition within the music industry, particularly for artists demonstrating both creative consistency and market awareness.
From a business perspective, the release of Jump illustrates how legacy influences can be leveraged within modern production frameworks to create commercially viable content. By combining established dance aesthetics with contemporary sound design and strategic partnerships, Cavandoli positions himself within a segment of the market that values both familiarity and innovation.
As Jump enters radio rotation in January 2026, its performance will likely inform the next phase of Cavandoli’s career, including the potential development of a full-length album. For now, the single represents a calculated return to broadcast exposure, underpinned by industry backing and a clear artistic direction rooted in the evolution of European dance music.
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